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Mildred Bendall
Mildred Bendall (27 November 1891 - 27 December 1977) was an active force of the avant-garde in Bordeaux, and instrumental in building a real exchange with Paris.〔GALLIANO - DES GARETS Françoise, ''La Vie culturelle à Bordeaux 1945-1975'', Bordeaux, pp. 32-35, 81-82 and 112-114〕〔GALLIANO - DES GARETS Françoise, ''La Vie culturelle à Bordeaux 1945-1975'', Bordeaux〕〔E. BÉNÉZIT, ''Dictionnaire Critique et Documentaire des Peintres, Sculpteurs, Dessinateurs et Graveurs''; Vol. 2, Gründ, Paris, 1999, p. 281〕〔E. BÉNÉZIT, ''Dictionnaire Critique et Documentaire des Peintres, Sculpteurs, Dessinateurs et Graveurs''; Vol. 2, Gründ, Paris, 1999 (Benezit Dictionary of Artists)〕
==Early years==
Born in Bordeaux in 1891, Mildered was the third and youngest child of Manley Forbes Bendall, a highly successful English merchant, and Marie-Blanche-Elisabeth Chrisman.〔PERY, Jeny, "Colour as Expression: The Painting of Mildred Bendall" in ''A Retrospective Exhibition of Paintings by Mildred Bendall 1891 - 1977'', exhibition catalogue, Whitford Fine Art, London, 1996〕 Bendall trained as a painter during 1910–1914 at the atelier of local fashionable painter Félix Carme and her work ''Coin de Salon Bordelais'' won a first in the 'Peinture au Palmarès de l'Union Féminine de Bordeaux'. Bendall’s early paintings emulate the ‘Chardinesque’ style of her tutor, but nonetheless, show her solid grounding in drawing, technique and composition, which later earned her the respect of Henri Matisse and Albert Marquet.〔FERMON, An Jo, "The Painting of Mildred Bendall: The Joy of Colour in Life and Nature" in ''Mildred Bendall: A Retrospective Exhibition'', exhibition catalogue, Patridge Fine Art, London, 2008〕
In 1920, Bendall gained admission to the ‘Salon des Artistes Français’ in Paris, which eventually prompted her move to Paris during 1927–1928. It was her time at the ‘Académie de la Grande Chaumière’ in Montparnasse, where the painters of the ‘Ecole de Paris’ congregated, that transformed her style. Her friendship with Matisse in particular left a lasting influence on Bendall and her work. She adopted to great effect hi ‘Fauve’ ideas on colour as building blocks for form and space. Although Bendall never married, Jean-Gérard Matisse, the son of the painter, did propose to her.〔POLDEN Sarah, ''Mildred Bendall'', Whitford and Hughes, London, 1987〕
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